Jesus Paid it All intermediate Easter piano sheet music

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This lush Jesus Paid it All intermediate Easter piano sheet music passes the melody from right hand to left hand seamlessly in an arrangement that will lead its listeners to worship.

Number of Pages: 3
Resource Format: PDF

Studio License: Unlimited usage with students you directly teach

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About Jesus Paid it All intermediate Easter piano sheet music

This lush Jesus Paid it All intermediate Easter piano sheet music passes the melody from right hand to left hand seamlessly in an arrangement that will lead its listeners to worship.

3 pages. Keys of E-flat and A-flat.

Approximately 1 minute, 30 second performance time.

This is a straightforward arrangement with very little extra material. It has a first verse and chorus, key change, chorus. No specific introduction, interlude, or ending.

There is slight flexibility of tempo for this arrangement. Listen to a slightly faster recording of Jesus Paid it All intermediate Easter piano sheet music here.

Studio license price– purchase once, print multiple times for all of your students. No expiration.

This download includes:

  • Sheet music solos of Jesus Paid it All
  • Studio license for In the Jesus Paid it All intermediate sheet music

Musical elements in Jesus Paid it All intermediate Easter piano sheet music

  • 32nd notes, 16th notes, 8th notes, dotted 8th notes, quarter notes, dotted quarter notes, half notes
  • Note reading: Bass clef D2 to A-flat 4, Treble clef F3 to C6
  • Keys of E-flat and A flat
  • Ledger lines
  • Left hand melody
  • Accidentals
  • Rolled chords
  • Left hand over right hand

Practice Tips for Jesus Paid it All intermediate Easter piano sheet music

There are several sections in this arrangement that could be challenging. First, is the left hand reach in measures 9-11. The intervals do not have to be played super quickly and can be tastefully woven into the arrangement in a style that is comfortable for the pianist. This is a good place to begin to decide exactly how the pacing for the entire piece should be. 

Another beautiful yet challenging section is when it modulates to A-flat and the right hand has the melody woven in between a lot of sixteenth notes. The goal here is to be able to keep a warmth to the melody while the extra notes do not overpower it but support it. If you struggle to bring out the melody, practice “shadow playing” the non-melody notes (play the melody notes and just place your fingers on the other notes without actually sounding them).

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© 2023 by Amanda Tero

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